Act, play, and dance your interpretation of Dickinson’s ballet-themed poem, with actor Cynthia Nixon, cellist Yo-Yo Ma, dancer Jill Johnson, and poet Marie Howe.
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by Emily Dickinson
I cannot dance opon my Toes –
No Man instructed me –
But oftentimes, among my mind
A Glee possesseth me
That had I Ballet – knowledge –
Would put itself abroad
In Pirouette to blanch a Troupe –
Or lay a Prima – mad –
And though I had no Gown of Gauze –
No Ringlet, to my Hair –
Nor hopped to Audiences – like Birds –
One Claw opon the Air –
Nor tossed my shape in Eider Balls –
Nor rolled on Wheels of Snow
Till I was out of sight in sound –
The House encore me so –
Nor any know I know the Art
I mention easy – Here –
Nor any Placard boast me
It’s full as Opera –
Text from Franklin 381A
I cannot dance opon my Toes –
No Man instructed me –
But oftentimes, among my mind
A Glee possesseth me
That had I Ballet – knowledge –
Would put itself abroad
In Pirouette to blanch a Troupe –
Or lay a Prima – mad –
And though I had no Gown of Gauze –
No Ringlet, to my Hair –
Nor hopped to Audiences – like Birds –
One Claw opon the Air –
Nor tossed my shape in Eider Balls –
Nor rolled on Wheels of Snow
Till I was out of sight in sound –
The House encore me so –
Nor any know I know the Art
I mention easy – Here –
Nor any Placard boast me
It’s full as Opera –
Text from Franklin 381A
THE POEMS OF EMILY DICKINSON: VARIORUM EDITION, edited by Ralph W. Franklin, Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955 by the President and Fellows of Harvard College. Copyright © renewed 1979, 1983 by the President and Fellows of Harvard College. Copyright © 1914, 1918, 1919, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.
Emily Dickinson
Ballerina Fanny Elssler, courtesy of Houghton Library, Harvard University
Ronzani's Grand Ballet Troupe (1857), courtesy of the New York Public Library